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- <text id=94TT0743>
- <title>
- Jun. 06, 1994: Cinema:Siddhartha in Seattle
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Jun. 06, 1994 The Man Who Beat Hitler
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA/CINEMA, Page 66
- Siddhartha in Seattle
- </hdr>
- <body>
- <p> Bernardo Bertolucci's Little Buddha is a ravishing film about
- an American boy who may be a reincarnated Tibetan lama
- </p>
- <p>By Richard Corliss
- </p>
- <p> Any old hack can direct movies that make you cry. It's a simple
- matter of putting onscreen some wrenchingly sentimental image
- (sad-eyed dog with broken leg, widow on deathbed, noble peasant
- gunned down by soldiers) while a dozen violins tremble on the
- sound track. A filmmaker's real challenge is to create what
- German director Wim Wenders has called "emotion pictures": films
- that move you in a fresh way, with images that speak to the
- intelligent heart. Bernardo Bertolucci makes emotion pictures.
- He illustrates complex issues with indelible, seductive, ravishing
- images. And in his 12th film, Little Buddha, the Italian director
- has created his clearest statement of what it means to see things--literally see them--his unique way.
- </p>
- <p> Little Buddha hopscotches the world from the kingdom of Bhutan
- to Seattle, Washington, and leapfrogs millenniums from the Buddha's
- birth in 2500 B.C. to today. In Bhutan a Tibetan monk named
- Lama Norbu (Ying Ruocheng) hears that an American boy, Jesse
- Conrad (Alex Wiesendanger), may be the reincarnation of an important
- lama. Incredulous at first, Jesse's parents (Chris Isaak and
- Bridget Fonda) are sufficiently impressed by Lama Norbu's otherworldly
- sweetness that they allow the boy to keep company with him,
- and eventually to journey to Bhutan with his father and two
- other candidates for the exalted position of reincarnated holy
- man.
- </p>
- <p> This could turn into a story of Moonie-like brainwashing or,
- at least, a Spielbergian audition for spiritual star quality.
- But Bertolucci is remarkably open-minded; he is eager to entertain
- and then to accept the beliefs and rhythms of another, older
- culture. The film's loveliest sections are those that concern
- the life of Siddhartha, the Indian prince who renounced worldly
- pleasures and religious extremism to find the Middle Way of
- Buddhist truth. Siddhartha is played with improbable persuasiveness
- by Keanu Reeves, another of Bertolucci's eccentric choices in
- Little Buddha that pay off.
- </p>
- <p> Bertolucci has always been less interested in telling a predictably
- coherent story than in evoking strong feelings. His political
- epics (The Conformist, The Last Emperor) are really interior
- melodramas about small people overwhelmed by sweeping events;
- his intimate studies of sexual desperation (Last Tango in Paris,
- The Sheltering Sky) are really about the places--Paris apartments
- or the depths of the Sahara--where troubled people get lost.
- Little Buddha is a story of quite small people, three modern
- kids, who rise to great spiritual demands, and of Jesse's parents,
- who come to terms with truths that are much greater than their
- problems.
- </p>
- <p> After 30 years of making passionately skeptical movies, Bertolucci
- has made a film of the most sophisticated simplicity. His triumph
- is to make you see the Buddhist world through his eyes. It shines
- like innocence reincarnated.
- </p>
- </body>
- </article>
- </text>
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